#Sony acid pro 4.0 audio files software#
However, certain VST plug-ins sometimes caused the software to crash. There’s support for VST plug-ins, which opens up a much wider range of third-party effects than previously offered by ACID’s DirectX plug-in support. Sections of audio can be reversed with a single keystroke, a surprisingly rare feature that suits electronic music production well. There are plenty of other welcome new features. It’s handy for keeping the screen tidy in larger projects, and particularly valuable since ACID insists on giving each sample or recording its own track. Media Manager also works with any application that supports drag and drop (including rival audio software such as Cubase), so it’s a shame you can’t run it on its own rather than as part of ACID Pro.ĪCID Pro 5 now joins its competitors in offering Folder Tracks, which allow tracks to be grouped together and packed away in a slimline form on the timeline. However, its handling of these files currently falls behind dedicated programs such as iView MediaPro. Media Manager can also import video and image files, suggesting that it will be making an appearance in a future version of Vegas, Sony’s video-editing application.
Only the latest loops for ACID sample libraries include instrument and genre tags, but it’s easy enough to add them to other libraries. Sounds can be sorted and searched for by tempo, key, instrument, genre and plenty more besides. The Media Manager is a sophisticated cataloguing tool that will prove invaluable for anyone with a vast library of samples. Other new features enhance ACID Pro’s already highly streamlined interface. However, there’s plenty of depth available, and we suspect that experience will help produce increasingly useful results. Some combinations of loops simply slot together, but others don’t sound quite as coherent. Groove Mapping is considerably more powerful and much faster to use than anything offered by the competition, but it isn’t as easy to use effectively as we initially hoped. You can even use the Quantise to Straight option to lock heavily syncopated or poorly played recordings to a strict metronomic tempo. The inherent groove of the audio being quantised is also taken into account, and the whole system makes it incredibly quick to lock a variety of audio and MIDI parts together. Templates are applied to MIDI tracks simply by painting them onto the timeline, but ACID Pro 5 goes one step further by offering the same treatment for audio tracks. This template can then be edited by moving, adding or deleting markers and, as both Pre-Groove and Post-Groove markers are available, some radical manipulations can be achieved that go way beyond Cubase and Sonar’s groove quantise capabilities. Grooves are created simply by dropping a loop into the Groove Pool the software analyses it and generates a template based on the timing of its rhythmic elements. Previous versions crucially lacked a groove quantise function, which allows rhythmic templates to be applied to MIDI parts, but ACID Pro 5’s new Groove Mapping function remedies this. In version 4, ACID Pro became more of a general-purpose rather than merely loop-based production tool, with support for software instruments, MIDI editing and surround mixing.
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